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Nayo Ulloa

Nayo Ulloa - World Music
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Nayo Ulloa - Customer Reviews
     
  Nayo Ulloa, was born in Trujillo, Peru and raised in Lima. Nayo grew up in Comas, an economically depressed but vital area of Lima. Comas is located about 10 miles north of Lima, and it is populated primarily by immigrants coming from all over Peru looking for a better life in the capital city.

Nayo Ulloa attended primary and secondary school in Comas. Later as a young man, he attended the "Universidad Nacional Mayor de San Marcos" majoring in Language and Literature.

In 1981, Nayo immigrated to the United States, invited to perform and teach Peruvian music. He taught music at the Community Music Center in San Francisco as well as other private music schools.

Nayo's interest in music started at a young age. As a child, he stared singing and participating in school performances. At age 10, his father, Jorge Ulloa, bought him his first guitar and at age 13, Nayo started playing the Kena (Peruvian flute).

Nayo Ulloa did not receive formal musical training, but he was fortunate to meet several accomplished Peruvian musicians that took him as a pupil. He studied the Kena with Freddy Flores and Alejandro Vivanco and studied music theory and harmony with Jaime Diaz Orihuela.

During his residence in the United State, Nayo took additional music lesson in Harmony with Professor Albo Damante and voice lesson with Bass-Baritone, David Tigner. From 1988 to 1992 Nayo trained and studied opera, performing several roles with San Francisco regional opera companies as well as vocal recitals. David Tigner, well known for his specialty in sacred music, called Nayo "a true tenor in possession of a full operatic vocal range."

Nayo is currently a graduate student working on a Master´s degree in Music at San Jose State University. His research involves tracking down, compiling and performing songs from the beautiful repertoire of Latin American art song, especially from South America. Nayo hopes to bring these little known works to wider audiences and make more Latin American classical song available to professional singers.



 
 
All Customer Reviews
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Exotic in the first sense of the word....., December 7, 2004
Reviewer: The Record (Stockton, CA) The Record's Homepage
“Exotic in the first sense of the word, entertaining in every sense...Nayo switches with amazing rapidity from one unusual ethnic instrument to another. With equal virtuosity he goes from the Charango and the Kena to the Sikus.... Nayo’s exuberant Kena solos [are] in the style of Benny Goodman and Artie Shaw...”
The Record, Stockton, California
 
 
Until you’ve heard a virtuoso..., March 3, 2005
Reviewer: San Francisco Bay Guardian (San Francisco, CA) San Francisco Bay Guardian's Homepage
“North America may have first been exposed to ‘El Condor Pasa’ thanks to Simon and Garfunkel, but until you’ve heard a virtuoso like Nayo Ulloa blow it on the Andean bamboo flutes, you’ve missed the real deal….”
San Francisco Bay Guardian
 

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